The interesting part of recording bass amplifiers is choosing a suitable mic and finding a good place to put it. When miking an amp, there are so many variables interacting (room, speaker and mic characteristics) that it’s impossible to provide a ‘one size fits all’ mic placement solution, so start out with the mic around 12 inches from the centre of the best sounding speaker in the cabinet and then make small adjustments while listening to the result. If you’re using a cab with multiple speakers, such as a 4×12 or 4×10, see if you can hear a difference between miking one of the lower speakers and miking one of the upper speakers. Learn how to correctly record a guitar or bass cabinet. Learn more about the microphone placements by looking at the accroding numbers in the table below. Let’s get into some microphone placement techniques. On-axis or off-axis? On-axis basically means pointing the mic directly at the speaker with no angle, so in effect, the mic would be considered to be perpendicular to the front of the cab.
Off to one side? Near the speaker surround? Against the grille? Pulled back away from the cabinet a bit? Should the mic be angled or straight on? The list of possibilities is long. Dave Sheldon on Guitar Cab Mic Placement. Eyes guitarist, Dave Sheldon, discusses the 5 most popular methods for mic’ing a guitar cabinet. Guitar & Bass. The majority of the mics used on a bass or guitar cabinet are dynamic mics they can handle high sound pressure levels (SPL), and they’re more focused on the kinds of tones produced by the instruments. To get tone from a mic’d amp, it’s a combination of a lot of factors, including the type of bass, amp, and cabinet; the mic; the room you’re in; and the positioning of the mic.
Using a Beta 52 and SM 57 on the bass cabinet Today everyone is conditioned to go direct with the bass guitar that many times miking a bass amp is completely overlooked. A) Listen closely to the amp as the bass player plays. If there are multiple speakers, find the one that sounds the best as in E7. 4 Vocal Mic Placement Tips. I would mention my beta 52 which usually works well as well, but thats usually sitting in the kick so i haven’t had as much experience with it on the bass cab. Begins with the use of a single mic on the bass cabinet, exploring miking distance, mic location, and proximity effect. Tonal characteristics are demonstrated for the following mics: Sennheiser MD421, Shure Beta 52A, Shure SM57LC.
Eliminate Mic-placement Guesswork With The Technique
Miking a cab is simple: you just point a mic in its general direction, right? Acoustic Redefines Modern Bass Amplification with the Class D NEO Series. You can put it on a loud electric guitar cab without fear of blowing the ribbon. The same thing happens when using a ribbon on a guitar cabinet – the sound gets heavier in the bass as you move the mic closer to the cab, even by only an inch or two. See Michael Wagener’s mic placement. A lower-budget option is the combo amp, which combines the amplifier and the cabinet speakers inside one unit. Microphones for Recording Bass Guitar at Home. Microphone Placement. More on Mic Placement Unlike electric guitar amps, that can sound good with a mic almost touching the speaker, bass cabs benefit from further distance between the speaker and mic. The key is to listen critically to how mic placement is impacting the sound reaching your recording rig or DAW. If you’re using a cardioid mic, moving the mic away from the cab will decrease the bass response. Dynamic mics, or any mic that has a cardioid pattern will exhibit proximity effect where the closer the mic is to its source the greater bass response due to the acoustic loading on the mic.
Bobby Owsinski’s Big Picture Music Production Blog: Recording The Bass Amp
You can either record bass directly, via a DI box, or you can mic up the bass cabinet. Instead of the signal going into a cabinet and out of the speakers, you can just route the bass part directly into your audio software. This is a good reminder that mic placement, sometimes within a few inches, can make a huge difference in the tone of an instrument. Recording Tips and Tricks: Microphones & Microphone Placement. For instance, when looking for the perfect microphone for an upright bass, you would not want to use a microphone that has a big bump in the low-end of the frequency response graph. You do not want to put the mic directly over the center cone, but to the outside where there is more tone coming through the cabinet. Mic’d a bass cab today with an SM7b. RE20 and RE320 also sound good on bass cab.. but the bottom is a little more loo. But the bottom is a little more loo. If so, what mic. placement do you use to accomodate this along with the low end?. Of course, the farther the microphone is placed from the instrument the lower the level of sound reaching the microphone. Anytime you are placing microphones to pick up the sound of a guitar or bass cabinet you are confronted with the acoustic nature of loudspeakers.
If the mic is very close right on the grille cloth, or an inch or two away you get a touch of extra bass thump, just like you encounter when you move in real close on a vocal mic. When it comes to miking guitar cabinets, condenser mics, like the 414 demoed above, tend to have a balanced, even response, but can sometimes lack punch and personality.